This week’s reading was a relatively hard read for
me, given how I’m not at all familiar with the Science-Fiction genre. Works of
this kind haven’t really been on my radar for the most part- much less a work
written in the 1950’s. Even so, I feel like I have a slightly better
understanding about Sci-Fi as a whole after reading this book, and I can see
how why people would regard it as a classic in this genre. A lot of the
elements it has are things that even people who haven’t read much Sci-Fi would
consider to be science fiction staples, such as superhuman abilities like teleportation
(jaunting), psychic abilities, and the existence of cyborgs (technologically
enhanced humans). They've kind of become the norm in Sci-Fi, especially in what
we consider today to be “cyberpunk.” Other elements that are similar to
cyberpunk specifically are the mega-corporations as powerful as governments
that rule over, and an overall dark vision of the future.
I initially heard that the novel was supposed to
feature an unforgettable main character, the likes of which had never been seen
before in science fiction. But Gully Foyle was a somewhat of a cartoon to me,
an obsessed, brutal superhero/antihero force of nature, with hardly a nuance of
human character at all. The author pulls no punches in his portrayal of Foyle,
who is thoroughly unpleasant: a violent man, a murderous rapist, absolutely
ruthless, qualities he never quite sheds. I realize that he was not meant to be
a likeable character at all, but boy did I not like him. I also understand that
the author probably meant to portray him like this to create complex
understanding of the mixed ethical problems of human beings, the way few of us
are all good or all bad. Hence, the anti-hero that people eventually find “charming”
or compelling in a way.
The book is short, but it flies along at a very
fast pace. Stuff is constantly happening and it never stops to take a breath.
Although, I feel like the book is not supposed to be judged as an ordinary novel
with nuanced characterization and carefully paced plot. Rather, with its
hysterical personalities and outlandish gestures, it seems closer to what we
think of as an opera. (Which makes sense, given how we’re discussing about
Space Operas.) Bigger than life characters bellowing out their inner angst.
Heightened theatre, using the speculative devices of science fiction to play
out the revenge plot in which the protagonist is more profoundly affected than
his targets. The characters make references to Shakespeare, and the Shakespearean
comparisons are largely justified; this is a novel that is truly Shakespearean
in scope, energy, vitality and character. I can definitively see the connection.
Overall, not my cup of tea, but it was a pretty interesting read.
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